Sha
搜索"Sha" ，找到 1837部影视作品
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马楚成
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刑警林贵仁（梁朝伟饰），隶属日本国防外务科特别侦缉组。美国政府悬红三千万美元追查号称“复仇者”的美金伪钞电版，林获知电版到了香港，便孤身深入黑帮内部盗取，却碰上美艳动人的女飞贼JJ（舒淇饰）。二人合力偷出电版，在最后关头JJ却出卖林，挟着电版逃脱。JJ得手浮生影院后喜悦地打开铁箱一看，里面却早已被掉包。 贵仁持着真的电版送往美国领事馆领赏，接待他的是领事馆职员Owen（任贤齐饰）。Owen带走电版称找专家验收，林却突然醉酒昏倒，醒来才知电版竟被Owen设计骗走。林贵仁于是追踪Owen到韩国，展开一场斗智斗勇的追逐战。其后不但引来JJ的介入，林贵仁更要面对伪钞集团龙头“北极熊”的连番狙击。
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雷尼·哈林
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生化制药厂的老板Franklin（塞缪尔·杰克逊 Samuel L. Jackson 饰）提供大量资金供让Susan McAlester博士（萨弗蓉·布罗斯 Saffron Burrows 饰）研究抗猎艳仕途老年痴呆症的药物。Susan和研究小组在设备精良的海底研究中心，提取鲨鱼脑中蛋白质，注入坏死的人类脑细胞。为了可以提取到萃取更多的鲨鱼脑蛋白，Susan也同时加大了鲨鱼们的脑容xiyangzhiyue量。这一举动让本来作为试验品的鲨鱼们变得更为强壮和聪明。鲨鱼专家Carter（托马斯·简 Thomas Jane 饰）因和鲨鱼们朝夕相处时发现了鲨鱼们的异样，并向Susan提出了警告，却得到了Susan的无视。终于，在最后一次验中，那些曾经沦为人类试验品的凶残鲨鱼们向人类展暖暖动漫视频免费观看视频开报复……
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Shana Betz
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Rachel, a concerned research亚特兰蒂斯文明er, and her team have set out to sea to prove that the disappearance of a family and crew from a merchant ship was for reasons having to do with the supernatural. Her theory that those on the Mary Celeste vanished into a "rift" between dimensions proves true as the boat breaks down and her crew begins to vanish one by one.
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阿维沙伊·西万
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Haim-Aaron是一个来自耶路撒冷的极端正统派的宗教学者，他的才华和虔诚受到所有人的嫉妒。一天晚上，为了进行自愿斋戒，他摔倒晓之帝国了并失去了知觉。护理人员天上人间动漫宣称他死了，但他的父亲不愿让他离去，对他进行了复活。出乎意料的是Haim-Aaron活过来了。这场意外过后，这位学者对他的研究一直保持冷漠。他突然感到他的体内有一种奇怪的感觉苏醒了，他怀疑上帝在考验他。当他的父亲注意到他儿子举金子美穗幽灵鬼屋止的变化时，他尝试原谅他，但一直受到恐惧的折磨，害怕他让儿子复活违背了上帝的意愿。
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未知
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《转场追忆：艾伦·卡尔的80年代》是ITVX频道一部英国情景喜剧，是喜剧演员艾伦·卡尔的半自传体系列，讲述了20世纪80年代在北安普敦长大的一个职业足球经理的儿子的故事。 格雷厄姆·卡尔(Graham Carr)是前顶级职业足球运动员，曾任北安普顿足球俱乐部(Northampton Town FC)经理。当时他们在1986-87赛季赢得了足球联赛第四级别的冠军。然而，从他儿子的角度来看，撒切尔统治下的英国的东米德兰兹地区可能会有非常不同的感觉，这个年轻人更喜欢马普尔小姐，更喜欢乔治·迈克尔而不是加里·莱因克尔。 艾伦·卡尔是一位英国喜剧演员、广播员和作家。他的突破是在2001年，赢得了城市生活年度最佳新人和BBC新喜剧奖。主持过鲁保罗变装皇后秀，大胖考等。卡尔是同性恋，但并不认为他的性取向是他表演的重点，他在2008年说:“我只是认为同性恋者需要克服自己。仅仅因为你是同性恋，出现在电视上，并不意味着你就是一个榜样。我只是个喜剧演员。这就是我的全部。我该怎么做?难道我要走朱利安·克莱里的路线，谈论拳打独斗吗?我不谈论自己是同性恋，我觉得还有什么比这更好的同性恋平等吗?”据卡尔说，他从很小的时候起就对自己的性取向很坦然。艾迪·伊扎德做客《闲谈人》节目申屠偷看，问卡尔什么时候出柜，他回答说他“从来没有真正出柜”，其他孩子在他八九岁的时候就已经取笑他的娘娘腔行为了。2018年1月，卡尔与他十年的伴侣保罗·德雷顿在洛杉矶结婚。婚礼由他的好友阿黛尔主持。两人于2022年1月宣布分手
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克里斯托弗·阿什利
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托尼奖获奖百老汇音乐剧《来自远方》(Come from Away)将被改编成电影，The Mark Gordon Company投资制片，原作者、词曲家Irene Sankoff和David Hein将编写剧本，剧版导演克里斯托弗·阿什利也确定执导影片。设定在9·11事件之后adc影库确认，38架飞机意外迫降加拿大纽芬兰与拉布拉多省的成吉思汗电视剧56集小镇Gander，7000名旅客滞留。在被迫停飞的处境下，小镇的居民热情地欢迎并接纳了所有旅客，他们的慷慨善良与恐怖袭击形成了鲜明的对比。文化相互碰撞，人们情绪高涨，不安感转变为信任，音乐响彻深夜，感激最终形成了长久的友谊。 该音乐剧大获成功，评论极佳，获7项托尼奖提名，最终获得最佳音乐剧导演奖。
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Sridhar Rangayan
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F老董大战戴若希部分ilmmaker and gay activist Sridhar Rangayan embarks on a personal journey to expose the human rights violations faced by the LGBTQ community in India due to a draconian law Section 377 and homophobic social mores of a patriarchal society. The gritty documentary BREAKING FREE features searing testimonies of gay and transgender persons who have bee好声音那英组n victimized or exploited, as well as wide-ranging interviews with advocates and activists. See-sawing between despair and joy, anguish and hope, the film offers an insider view of the Indian LGBTQ community and is a docume沈曼歌叶南玹免费阅读免全文无弹窗书香阁ntation of its movement from invisibility to empowerment.
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Yuval Delshad
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Yitzhak runs the turkey farm his father built with his own two hands after they emigrated from Iran to Israel. When his son Moti turns thirteen, Yitzhak teaches him the trade, hoping that he will continue the proud family traditio一个人看的www高清播放n. But Moti doesn't like working in the turkey barn; his passion is fixing up junkyard cars and bringing them back to life. Moti's mother Sarah tries to reconcile between the two, while his grandfather pushes Yitzhak to take a firm hand with his son. Yitzhak take还珠格格之燕儿s Moti's refusal to work in the turkey barn as a personal rejection. Though he loves his son dearly, he makes it his mission to impose the family farm on Moti. The arrival of Darius, the uncle from America, sets off a chain of events that will undermine the familial harmony. Soon enough Yitzhak will learn that his son is just as stubborn as he is. The conflict is inevitable. W梦醒长安电视剧免费观看ritten by Yuval Delshad
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保拉·艾瑟特 ,托娅·刘易斯
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An alarmingly disproportionate number of Black women are f97ganmmailed every year by the U.S. maternal health system. Shamony Gibson and Amber Rose Isaac were vibrant, excited mothers-to-be whose deaths due to childbirth complications were preventable. Now, their partners and families are determined to sound a rallying cry around this chilling yet largely ignored crisis. Directors Paula Eiselt and Tonya Lewis Lee follow Gibson’s and Isaac’s bereaved partners, Omari Maynard and Bruce McIntyre, as they fight for justice and build communities of support, bonding especially with other surviving Black fathers. Their tragic, individual experiences are punctuated with condemning historical context, showing that gynecology has a long-standing history of exploiting and neglecting Black women in America. In the arresting words of mother-to-be Felicia Ellis, “A Black woman having a baby is like a Black man at a traffic stop with the police.” She emphasizes that paying attention is paramount. Aftershock brings an unsettling reality to the forefront while uplifting the families, activists, and birth workers who are striving to bring institutional change and legislative reform. These mothers will not be forgotten.
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Uri,Zohar
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A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas' "Hallelujah the hills" (1962), it's an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier恐怖轮回 zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics - parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.
A new immigrant, Tzelnik, arrives at the port of Jaffa. He goes to live in the Negev desert where he opens a kiosk in the middle of nowhere. Mizrachi comes along and opens a competing business across the way. The two make a living by selling to each other. As there is nothing there, they decide to create a world out of their imagination. They build a cardboard film set, which slowly takes on real dimensions- the buildings turn to concrete, people come to audition for parts in the "film" (cinema verité style, with Zohar mocking viciously the pretensions of the "actresses") and builders come to builjulia 乳奴隶d appartment buildings (mocking the glorification of concrete and "heroic" settlement). In one sequence, Arab actors come and ask the filmmakers turn positive to negative, and they're given the role of pioneers who plow the land and sing zionist songs. The imagined world of the filmmakers becomes so real eventually they lose sight of the thin line between fantasy and reality.
Along the way there are also many references to other films and genres: the samurai flicks of Kurosawa, westerns, the pop films by Richard lester, the meal scene from Tom Jones and many others.
妖精的尾巴国语版全集
The film was made by a bunch of (very talented) friends Zohar gathered, and they shot it with their own funds, as a “collective flick”, another aspect of it that sets it apart from the rest of the production in the country.