罗斯
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盖瑞·罗斯
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北美洲在一场大战后被摧毁，在美国原来的废墟上，人们建立了新的家园，但新政权规定：管辖下的12个coatwest地区每年都必须进贡少年男女，参加一档电视直播节目“饥饿游戏”（Hunger Game）。节目的规则很简单——杀人或者被杀。凯妮丝Katniss Everdeen（詹妮弗·劳伦斯 Jennifer Lawrence 饰）的妹妹不幸在12区“选择日”时被选中，由于要保护妹妹，凯妮丝自告奋勇要替妹妹上场 中国之声在线收听。她不得不与心上人盖尔Gale Hawthorne（利亚姆·海姆斯沃斯 Liam Hemsworth 饰）分开，跟同时被选为12区贡品代表的皮塔Peeta Mellark（乔什·哈切森 Josh Hutcherson 饰）进入游戏。尽管凯妮丝自小就进行狩猎，拥有过人的弓箭技巧，对节目里的重重障碍都能应付自如，但她在比赛中要与残忍强壮的他区选手互相周旋，要想成为最后的赢家就必须成为一个没有人性的杀人机器，我喜欢你全集这对她是一个极大的考验。 《饥饿游戏》是美国作家苏珊·柯林斯（Suzanne Collins）同名青少年科幻小说三部曲中的第一部（其余两部分别名为《星火燎原 Catching Fire》和《自由梦幻 Mockingjay》）。
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克莱夫·巴克
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一个变态杀人心理医生，为摆脱其杀人罪名，便一再催眠他的病患 ''波恩''，让赘婿的天书人生波恩误以为自己就是那一连串灭门血案的杀人狂，并且还通知警察逮捕他。波恩，是夜行族的一员，本以为在他找到夜行族的栖息国度之后，便可快乐的过属于自己的生活，没想到却一再受到变态杀人医生的阻挠，甚至还以将杀害波恩挚爱的 斗罗大陆 在线观看全集女友来胁迫波恩就范…。在这些 〃自然人类〃（变态杀人医生 &.欲毁灭夜行族的地方警察）与 〃夜行族群〃的打斗过程同时，波恩也发现了自己与生俱来的重要使命….。本片内容极具神秘色彩，将带您进入不一样的想像国度。
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林书宇
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繁忙的西雅圖，多組男女的人生在一連串巧合下交會。英挺的律師搭車出差，車上意外擠進一對急奔醫院臨盆的夫妻，忙亂下律師出手相助，也和護理師一見鍾情。但急診門內，命運卻捉弄了那對新手爸媽。和熱門導演分手多年的女明星，兩人在新片開拍記者會上尷尬重逢。愛直播惡搞的少年，在女友的鐵漢叔叔眼中始終不及格。成長的挑戰、公眾形象與私生活的張力，甚至婚姻的掙扎，都不免伴隨遺憾失落。然而人生關卡前，他們該決心割捨，或者篤信前方值得的等待？導演林書宇生涯首部英語電影，更有《美國女孩》林嘉欣赴美與《玩命關頭》姜成鎬等多位好萊塢一線亞裔演員合作，打造美式浪漫喜劇，以多線敘事勾勒當代生活的機遇與期待，情節中亦融入許多亞裔家庭生活經驗，譜下歌頌夢想與愛情的勵志生命樂章。
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迪尔姆德·戈金斯
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Code of Silence introduces us to Deaf catering worker, Alison Woods. She’s struggling to make ends meet, juggling two jobs, in a police canteen and a local bar, while also doing her best to support her Deaf mum, Julie. When DC Ashleigh Francis calls on Alison to lip read the conversations of some dangerous criminals, she is plunged into a new and exhilarating world. Alison’s interpretation of the gang's clandestine meetings quickly become key to unlocking the police investigation. But Alison's feelings about the case become complicated when she finds herself drawn to Liam, one of the main suspects. Alison knows she's putting herself at risk by agreeing to work with the police, and when things threaten to spill over into her personal life, she knows she should step away. But Alison can’t let go…
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大卫·弗兰科尔
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Jeff Rake执笔﹑David Frankel导演的《命运航班 Manifest》讲述一架飞机「蒙特哥航空828号」在5年前消失得无影无踪，但这被众人以为已坠海的飞机突然再次出现；然而问题是，在旁人眼中这事件已经过了5年，但机上所有人都没察觉此事，犹两个人在线观看完整版如穿越了时间一样。 Melissa Roxburgh饰演Michaela Stone，事发前她因为一宗意外而苦恼自己是否适合当警察及未婚妻，而神秘失踪后回来的她对生活有了新目标﹑Josh Dallas饰演情报分析员Ben Stone，典型A型人的他正努力处理两个问题 - 儿子的罕见癌症，以及出现在他脑中的神秘声音。J.R. Ramirez饰演警探Jared Williams，尽管他深爱着失sqwz踪飞机上的未婚妻，但多年过去后他还是放下了，然而此时未婚妻回归令他陷入两难。 Athena Karkanis饰演Grace Stone，在丈夫及儿子失踪多年后，她终于与他们能奇迹江南style高清mv下载般重聚了，并且决定拥抱这新常态；Parveen Kaur饰演研究生兼医学研究人员Saanvi，她失踪多年后发现自己的工作在医学界有了惊人的突破。Luna Blaise饰演Olive，Cal的双胞胎妹妹；过去她的父亲及哥哥一直都走不出失去Olive的阴霾，而当她回来后他们关系仍如旧昔，唯一不同的是双胞胎的岁数不同了。
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兰贝托·巴瓦
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公主范塔戈萝（亚历桑德拉·马提尼斯 Alessandra Martines 饰）倔强而美丽，相较于她的两个姐姐，范塔戈萝显得无所畏惧又坚强好胜。她跟随白衣女巫（安吉拉·摩琳娜 Ángela Molina 饰）学习剑术，希望像男人一样战斗，可以有朝一日保卫国家，为人民带来和平。然而她的父王（马里奥·阿多夫 Mario Adorf 饰）却一直希望能由一个王子来继承王位，怎奈王后生完范塔戈萝后就死去了。
在学剑的魔法丛林，范塔戈萝邂逅了敌国的国王罗莫尔多（吉姆·罗斯·斯图尔特 Kim Rossi Stuart 饰）。罗莫尔多被这位神秘的女子迷住了，他深深地爱上了范塔戈萝的双眼。然而两国间旷日持久的战争还是爆发了，为了保卫她的国家和人民，范塔戈萝身披战袍女扮男装踏上了征程。就在兵戎相见的一刻，罗莫尔多认出了这双深恋已久的双眼。
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迈克尔·凯勒
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The British broadcaster and U.S. streamer will co-produce Lockerbie, a factual drama that will explore the joint investigation into the 1988 disaster by Scottish and American authorities.
Pan Am Flight 103 was en route from Heathrow to JFK when a bomb exploded in its holdover the small Scottish town of Lockerbie, killing 270 people. It was the worst terror attack ever on British soil.
They will draw on extensive interviews done by Morane-Griffiths, who spoke to Scottish police and U.S. investigative agencies. The series will also examine the bombing’s impact on the people of Lockerbie.
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迈克尔·凯勒
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The British broadcaster and U.S. streamer will co-produce Lockerbie, a factual drama that will explore the joint investigation into the 1988 disaster by Scottish and American authorities. Pan Am Flight 103 was en route from Heathrow to JFK when a bomb exploded in its holdover the small Scottish town of Lockerbie, killing 270 people. It was the worst terror attack ever on British soil. They will draw on extensive interviews done by Morane-Griffiths, who spoke to Scottish police and U.S. investigative agencies. The series will also examine the bombing’s impact on the people of Lockerbie.
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Rodger Griffiths
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Twisted grief and paranoia run through the veins of this gritty Scottish thriller. A hunting trip turns deadly when three brothers (Daniel Portman, Calum Ross and Brian Vernel) plot to take out their temperamental, abusive father (Paul Higgins). Determined to end the cycle of abuse that has already claimed their mother, the boys bury him in the forest. But returning later to the shallow grave, there is a problem. The body is not there. The darkest of takes on the daddy issues drama, Rodger Griffiths’ debut feature coaxes star-making performances from an exceptional cast of Scottish talent. Building a deeply claustrophobic tone, from the dense forest landscape, to the brothers’ emotionally damaged inner worlds, Griffiths blends a thoughtful exploration of generational trauma and toxic masculinity with the grit of classic thrillers.
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Richard Friedman
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A botched Christmas Eve robbery leads down a destructive path for a police officer reconnecting with his estranged mother, a coming-apart-at-the-seams amateur photographer, his vindictive and murderous fiancee, her secret lover and a strung-out mall Santa...as they all converge in one explosive and deadly night.
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保罗·奥斯特
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what motivated me up to the new director's festival to catch 'martin frost' tonight was the brutal review that it got yesterday from the lead critic of the new york times, brutal dismissal, to be more accurate, 'the less said about (it) the better', she said, and i figured that any movie able to teach Ms Dargis the virtue of silence for even a few column inches would be worth the trip. and worth the trip it was. we are brought into a paradise of limpidly beautiful visual textures. the oaken rhythms of a country house ensconced in a springtime parkland of luxuriant trees and luminous skies bestow the soothing natural blessing needed by the main character, martin frost (David Thewlis), a writer rubbed raw by the mechanics of finishing a novel in new york city. (Thewlis makes palpable the casualty of intrapsychic machinery sawed into daemonic reverb against the banausic hive). then paradise morphs into purgatory, leavened comedically, in Dante's sense, by the postmodern angelic visitations of Claire (Irene Jacobs) and Anna (Sophie Auster). unfortunately, to my taste, the verbal dimensions of the film are flaccid, the logic more fanciful than imaginative, the narrative arc crippled by some irredeemably creaky plotting, especially at the crucial initiation of the relationship between martin and Claire where the seeds of common sense are thrown to the magpies of theatricality. but so beguiling is the willful vulnerability of auster's fantasy, and the edgy interplay that it potentiates between Thewlis and Jacobs, and the camera, and later Sophie Auster, and the broad comedy of a rural everyman (Michael Imperioli), that it is very pleasant to be carried along on the visual foam of uncertain sensual delight, eddying into a feeling that this film's oddly louche light touch is uniquely adept at tracing some grave lineaments of the human heart. go innocently.
