马丁
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威廉·格德勒
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1970年代黑人剥削电影的女王帕姆·格里尔,继主演《科菲》和《骚狐狸》两部著名黑人剥削电影后,和Cult片导演威廉·哥德尔合作了纯粹的黑人剥削电影《希巴,宝贝》。在本片之前,格里尔出演的影片基本是预算很低且带有动作场景的影片,这让她觉得自己很廉价,于是本片,格里尔自己出资大头拍摄,而片中她的角色也有所变化,不再是看上去自大夸张的,更体现出她本人的魅力。 影片上映的1975年,是格里尔告别黑人剥削电影的年份,讽刺的是,也是她告别事业巅峰期的年份,这年她主演了三部黑人剥削电影,除了本片外,还和阿瑟·马克思合作了《巴克敦》和《谍网女金刚》,《谍网女金刚》之后,她主动摆脱了黑人剥削电影的剥削。 2月9日,箭影发行影片首款蓝光,视频为1080p,画幅为1.85:1,音轨是LPCM原始音轨,字幕提供英文。随碟附赠一本影介手册,内容为影片导演粉丝网站WilliamGirdler.com的管理员帕蒂·布林撰写的关于影片的全新文章,以及一些剧照、海报等。花絮收录有制片人大卫·谢尔顿和影评人纳撒尼尔·汤普森讲评的评论音轨、帕蒂·布林讲评的评论音轨、大卫·谢尔顿采访短片、关于帕姆·格里尔生涯高峰期的短片、珍贵幕后照片欣赏和预告片
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保罗·奥斯特
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what motivated me up to the new director's festival to catch 'martin frost' tonight was the brutal review that it got yesterday from the lead critic of the new york times, brutal dismissal, to be more accurate, 'the less said about (it) the better', she said, and i figured that any movie able to teach Ms Dargis the virtue of silence for even a few column inches would be worth the trip. and worth the trip it was. we are brought into a paradise of limpidly beautiful visual textures. the oaken rhythms of a country house ensconced in a springtime parkland of luxuriant trees and luminous skies bestow the soothing natural blessing needed by the main character, martin frost (David Thewlis), a writer rubbed raw by the mechanics of finishing a novel in new york city. (Thewlis makes palpable the casualty of intrapsychic machinery sawed into daemonic reverb against the banausic hive). then paradise morphs into purgatory, leavened comedically, in Dante's sense, by the postmodern angelic visitations of Claire (Irene Jacobs) and Anna (Sophie Auster). unfortunately, to my taste, the verbal dimensions of the film are flaccid, the logic more fanciful than imaginative, the narrative arc crippled by some irredeemably creaky plotting, especially at the crucial initiation of the relationship between martin and Claire where the seeds of common sense are thrown to the magpies of theatricality. but so beguiling is the willful vulnerability of auster's fantasy, and the edgy interplay that it potentiates between Thewlis and Jacobs, and the camera, and later Sophie Auster, and the broad comedy of a rural everyman (Michael Imperioli), that it is very pleasant to be carried along on the visual foam of uncertain sensual delight, eddying into a feeling that this film's oddly louche light touch is uniquely adept at tracing some grave lineaments of the human heart. go innocently.
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尼古拉斯·希特纳
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《一仆二主》由理查德·比恩(Richard Be五月情天an)改编自意大利即兴喜剧创始人、剧作家卡罗·哥尔多尼(Carlo Goldoni)创作于1743年的名著《一仆二主(Servant of Two Masters)》(意大邪恶小说网利语:Il servitore di due padroni)的英文版本,故事背景设置在1960年代的英国布里japanese grills 20顿,由英国国家剧院前艺术总监尼古拉斯·希特纳执导。詹姆斯·科登在里面饰演一个同时为两个雇主工作、又不敢让他们发现真相的贪食胖仆人。
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杨海艇
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《将军府来了个小厨娘》第二部:明珠郡主(施南 饰)为嫁入大将军府,设计残害苏浅浅(陈芳彤 饰)一家。苏浅浅开始反击,明珠和苏浅浅都分别嫁进将军府,在内宅之中斗智斗力,最终苏浅浅携手少年将军楚君遥(严子贤 饰),完成复仇大计,并以超凡的厨艺赢得大家的喜爱。
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赫拉多·埃雷罗
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The plot introduces us to a psychologist who suggests to three couples that they engage in a group session, where they will have to analyse each other without her being present. In order to do so, she has left them a number of envelopes containing instructions on the things they have to address. The method she has proposed encourages everyone to share their日本一区二区高清免在线 opinions, argue with each other and reveal their true selves. They are all public prosecutors and defence lawyers; they all interrogate one another, confess, lay themselves bare emotionally, regret the things they have said and toy with provoking the others. It’s a comedy with realistic characters and with a great sense of humour up until the final twist, which will wipe the smile off the audience’s faces because, in an instant, everything will take on a different meaufc直播在线观哪里观看免费ning.